L.
Conservation
My journey in art conservation began at the Raja Dinkar Kelkar Museum, where I trained under the Senior Conservator in the lab. Working on a diverse collection with materials ranging from century-old glass perfume decanters, worm-eaten ancient manuscripts, to bronze idols, delicate ivory ornaments and stone sculptures. Each object taught me the importance of careful handling, deep observation, and a scientific approach. This path continued at the KIAN Foundation, where I was entrusted with the conservation of a 30-year-old oil painting by a senior Indian painter. The work involved delicate cleaning, stabilising the paint layer, and ensuring the piece’s longevity.
Understanding the Difference: Conservation vs. Restoration.
Art conservation focuses on preserving and stabilising artworks to prevent further deterioration, while restoration involves actively repairing or re-creating parts of an artwork to bring it closer to its original form. Conservation respects the integrity and age of the piece, aiming to maintain its authenticity and historical value.
Conservation for me is more than a technical process, it's about preserving and protecting our artistic and cultural heritage for future generations. It complements my aspiration to become an art curator, as it has taught me to look closely, think deeply, and understand art from the inside out. It feels like re-making the artwork alongside the artist, offering insight into their materials, methods, and emotions. This practice has sharpened my skills and deepened my appreciation for the fragility and resilience of art.
